
"Crazy good!" comes to mind describing this poem as it rolls through the Texas countryside. But that is not good enough. Weisburd throws up images that seem to rise from the horizon full of life, but somehow twisted by heat waves. In such a world, your eyes can play tricks on you.
Albuquerque poet Stefi Weisburd is the author of
The Wind-Up Gods (Black Lawrence Press, 2007) which won the St. Lawrence Press Book Award and
Barefoot: Poems for Naked Feet (Wordsong Press, 2008) for children. Her poems have appeared in The Paris Review, The American Poetry Review, and Poetry, among others. She received a "Discovery"/The Nation prize and a Lannan Foundation writing residency. She volunteers at Explora and writes for Science News for Kids. The following poem was first published in the
Gettysburg Review.
Five Kinds of Weather Roll Across Texas
Ignorant sky.
Dry clapboard towns that squat
empty in the stubble of combine-

swept cotton, baled
brilliant as cumulus in angry light, these
bundles on which field
hands have sprayed
black numbers, splotchy,
like rain-pounded dirt. I’m speeding
past and squinting until the bales resemble
Holsteins, placid, cudding in a nothing-living-
for-miles tableau, looking back at my red
truck zipping up the straight seam
of the world, watching me tip
into the horizon that replenishes itself
like a row of shark teeth. Dulled by the endless
drawl of prairie, I suddenly think
of Lapps in their bright colors, of white-gloved
North Korean girls directing imaginary
traffic in the rain. How I’d like
to be
that weather or the sun
drawing shadows out of camels
crossing salt flats in Djibouti. Just as easily
I could be a Holstein, sluggish in the snow,
watching my modest
expectations zoom by at the speed

of red and thinking,
What
was that Jewish Zen joke? Wherever
you go, there you are, but your luggage
is another story? Every cow is a continent
to a tick, and National Geographic
confirms it, a whale shark is more a place
than a thing. I’m landscape too; a virus’s grainy
journey through the hill countries of my cells. Yes, speed
is one kind of question, but even
if I stood still in the short grass and mesquite, time
would travel like a front through my body,
so that when I cross
the road like that exhausted chicken, momentum
will open its ogre mouth and drop
me wet and cotton-swaddled on someone’s
doormat, right where I began.
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